We can clearly see the influence of the mythical animal figures of the Gampola period (which he is presently researching), in this exhibition. That is why I see "Imaginary form" as a presentation of the reality of his present life.

He is showing once again through this exhibition his professionalism of handing materials and transforming concepts into solid medium as a sculptor. In that, lies his success.

Mano's sculptural language, like before has a combination of figurative semi abstract and surrealistic characteristic. A dominance of surrealistic style is more eminent in this exhibition compared to his previous ones. Organic and inorganic forms blend with the space in perfect harmony creating a sense of visual rhythm that appeals to the spectator.

An absorption of folk art characteristics can be seen in his sculptures. (Buffalo, Centaur, Bird, Kinduriya III) Hr has concentrated more on one attractive angle on some of his sculptures, By using coloures on his sculptures he has emphasized volume, depth and solidity in has work. While creating a simple and pleasing collection of sculptures, he has expressed his endemic, vibrant and energetic quality.

He has used a parallel style both in his sculptures and paintings. Accordingly he has given more significance to shapes and forms rather than colour to his paintings. While surrealistic and abstract elements are prevalent in his paintings, figurative symbols show a decline. His free flowing composition for shapes and forms fill up the white background of his canvas, and so, in his paintings too, Mano portrays the characteristics of a sculptor.

Sarath Chandrajeewa
(Sculptor Artist)